Friday, May 30, 2014
2014 Toshiba Stage
Musicians often claim they are “giving themselves” to their listeners, but it’s rarely as true as on Ben Sollee’s fourth album, Half-Made Man, a revealing, deeply moving album that explores a man trying to figure himself out, just as we all are. Known for his thrilling cello-playing that incorporates new techniques to create a unique mix of folk, bluegrass, jazz and R&B, Sollee possesses rough-smooth-smoky vocal stylings and a knack for intricate arrangements that has brought about comparisons to Sufjan Stevens. Sollee shares himself completely with his audience, whether it be by personal lyrics, or his commitment to the environment. Sollee can often be found riding a bicycle to his concerts (cello strapped to the back), which have become legendary for their intimacy.
The album, produced by Sollee himself, boasts a sublime cast of musicians, including Carl Broemel (My Morning Jacket) on electric/acoustic guitar and pedal steel, Alana Rocklin on bass, Jordon Ellis on percussion, Jeremy Kittel (formerly of the Turtle Island String Quartet) on violin, and guest vocals by Abigail Washburn. Sollee contributes octave mandolin, guitar, and of course, his signature cello.
“I wanted it to have a raw, real-time performance quality,” Sollee says. “This is kinetic expression. I dug deep into myself and asked the musicians to go there with me. To my ear, it sounds like musical search party; we often find what we’re looking for in between defined styles and genres. It won’t be easy to place this in one category, but I, and my generation, are measured by a little bit of everything these days.”
With Half-Made Man, a record of raw power, grace, and wisdom, Sollee is sure to be measured alongside the best artists of his generation.